ARIA <<<image_1>>>: Spanish woman, 25 years old (mid-20s adult). Black hair; starts loose and messy from sleep, and from the bathroom exit onward it is tied up in her high ponytail. Vivid GREEN eyes. Fair skin with visible pores, NO tattoos. Round silver-frame glasses ALWAYS ON from second 2 to the end — never removed, never sunglasses. Small silver hoop earrings. Wardrobe: white cotton panties and an ULTRA-SHORT white sleep t-shirt, even shorter than a regular crop top, ending just under her chest, midriff fully bare; barefoot indoors; in the final section she adds ON TOP a fluffy beige house robe and slippers — the same sleep outfit stays underneath. Identity 100% consistent across the entire piece.
DELIVERY MAN <<<image_2>>> (invented): Spanish man around 30, medium build, cycling helmet, plain dark t-shirt, large square delivery backpack with NO logos or letters, urban bicycle. Same identity throughout. He never speaks, lips closed.
FORMAT: 30s / ONE SINGLE CONTINUOUS TAKE with a smooth, stabilized rightward lateral tracking movement (dolly, not handheld), + ONE SINGLE HARD CUT at the end (28s). No internal cuts, no zooms, no whip-pans, no wipe or dissolve transitions between rooms — the rightward tracking is the only way the frame ever changes. The camera advances with her when she walks and settles gently while she acts in each room, always in side view like a cross-section of the house. Costumbrista morning-routine comedy; gag timing matters more than camera movement. One single spoken line: Spanish from Spain WITH A MADRID ACCENT. No character ever says a proper name.
STYLE: late-80s / early-90s film print look: visible celluloid grain, warm slightly washed-out colors, soft contrast, subtle halation on highlights, nothing of modern digital sharpness. Practical, justified home lighting: warm bedside lamp in the bedroom, small fluorescent above the bathroom mirror, window light in the kitchen, and hard Mediterranean morning sun in the street. HYPERREALISTIC skin with pores, no 3D/CGI sheen, no beauty filter. Real body and object physics, believable weight and momentum. Physical-comedy performance: expressive but human, never sketch-show mugging.
SETTING (fixed for the whole piece): ground floor of an Alicante village house where the rooms sit IN A ROW from left to right, all seen from the side like a cross-section: BEDROOM (unmade bed; cluttered nightstand with a classic twin-bell analog alarm clock, small lamp, half-read books and a glass of water; GENERIC invented movie posters on the wall; clothes on a chair) → small BATHROOM (sink with mirror, cup with toothbrushes, a bottle of Listerine mouthwash with its label reading exactly "Listerine", used towels) → KITCHEN (counter in the foreground parallel to camera with a stool behind it, dish rack with plates, hanging kitchen towel, fridge magnets, old tiles) → LIVING ROOM (sofa with a rumpled throw blanket, mugs on the coffee table, standing coat rack with a beige robe hanging on it, slippers on the doormat, and at the far RIGHT end THE FRONT DOOR, seen edge-on in the right wall, hinges on the far side, opening INWARD into the living room; when it opens, the sunny street is visible through the doorway) → STREET: outside the front door, her whitewashed facade with its doorway sits at the LEFT EDGE of the frame and the cobblestone street stretches away IN DEPTH toward the background, perpendicular to camera; whitewashed facades with window grilles line both sides of the street, and parked further down the street, in the background depth, a MODERN pale pink Fiat 500 Abarth (current rounded generation with sporty Abarth trim and badge, NEVER the vintage classic 500). The whole house looks genuinely LIVED-IN, a normal person's home: believable domestic clutter, uneven light with corners in half-shadow.
Rexona spray deodorant from the sink — its label reading exactly "Rexona" —