Spider-Man:
Use all uploaded face photos as the primary identity reference for the character. Maintain the face, hair, skin tone, height, body proportions, and facial expression with 100% consistency throughout the entire video. Use the uploaded hoodie image as the primary clothing reference and preserve its design identically, including the green-red color combination, hood, zipper, pockets, stitching, fabric texture, and every visual detail. The character wears a white T-shirt, green cargo pants, and white sneakers as shown in the reference. Do not use a superhero costume or mask. The character is simply an ordinary young man who has realistic mechanical web shooters on both wrists.
Live-action Hollywood blockbuster, IMAX cinematography, photorealistic, HDR, physically accurate lighting, volumetric lighting, cinematic color grading, realistic cloth simulation, realistic motion blur, shallow depth of field, hyper-realistic, masterpiece, ultra-detailed, 8K.
The entire video must feel like one continuous shot. All camera transitions must happen naturally by following the character’s movement, with no hard cuts or jump cuts.
The video begins inside a small New York apartment during golden hour. The room feels lived-in, with a bed, study desk, laptop, bookshelf, comic book posters, headphones, clothes scattered across the floor, and a large window overlooking the Manhattan skyline.
Medium-wide shot. The character is sitting exactly in the center of the window ledge with both legs hanging outside. He remains seated and does not stand or change position. The evening breeze naturally moves his hoodie and hair. The camera slowly performs a dolly-in toward his face. The character turns toward the camera and casually says:
“Alright… let’s do this one more time.”
Immediately after finishing the line, he drops his body backward over the window ledge in one smooth motion without any hesitation or running start.
The camera follows his body using a full-body third-person shot during the free fall between Manhattan’s skyscrapers while slowly orbiting around him. The hoodie flutters realistically in the wind.
Just before reaching the street, the character instinctively raises both hands. The web shooters activate. Metallic mechanisms move, followed by web lines shooting out and attaching to distant buildings.
Without a cut, the camera is pulled along with the first swing and naturally transitions into a first-person POV. POV is used throughout the entire swing traversal.
The character swings through Manhattan with realistic web physics. The camera glides between towering skyscrapers, digital billboards, traffic lights, helicopters, birds, yellow taxis, city buses, and busy streets. The character alternates firing webs from his left and right hands, performs a dive, executes one brief wall run, and then returns to swinging with fast, extremely smooth movements resembling professional FPV drone footage.
As the character swings low over a Manhattan street, a pedestrian spontaneously raises a smartphone to record him. The camera naturally follows the smartphone footage, transitioning into a third-person handheld perspective without appearing to change scenes.
The character is seen swinging above the still-busy New York traffic, with the city remaining alive and realistic.
The character performs one massive final swing. At the highest point, he releases the web and floats for several seconds with both arms spread wide, facing the setting sun.
The camera does not change position but slowly pulls farther away and rises until the shot transforms into an aerial IMAX shot. The camera performs a smooth cinematic zoom-out until the character becomes a tiny silhouette above the New York skyline.
One World Trade Center, the Empire State Building, Brooklyn Bridge, the East River, and thousands of buildings fill the frame, illuminated by golden-hour light before fading to black.